LISA IZVOZCHIKOVA

This project explores the fragility of childhood during war. Using captions that refer to the same six girls – Aya, Gada, Sara, Rifga, Umm and Alia – the project highlights how the subjective perception of the proposed context often has very little to do with the real object. The same can be said of the abstract form, which exists only in the context of light, seen differently from each perspective, both in space and in time.

Works on canvas exploring the balance between staying true to nature and simplification and design.

A photo series offering a glimpse into the everyday life of small towns and their inhabitants. Emphasizing contemporary life through the disappearing medium of film photography and vintage cameras, the work evokes the sentiment and nostalgia of ancient travel photos.

A series of portraits featuring 16 shared table participants, along with short footage about each of them, was exhibited in a room with a 16-seater table. In front of the table, a TV played the footage on a loop. Visitors had the opportunity to join three immersive supper events, dining alongside the participants featured in the series.

Over the past 20 years, I have devoted my time to traveling with my camera. Influenced by my multinational family background and an interest in the art of ancient Egyptian and Greek and Roman civilizations, I have been particularly drawn to the Middle East and North Africa.

Photo chronicles capturing the bar scene from the perspective of a restaurant business worker.