LISA IZVOZCHIKOVA

During the past 20 years I have invested all my time in traveling with my cameras. Following my multinational family background with generations of political migrants, I've been particularly attracted by Greece, Middle East and North Africa.

A series of portraits of 16 shared table participants and a documentary about each of them. The series has been exhibited in a room with a table for 16 that visitors could join during 3 performances of the Last Supper.

The project will show the history of the landmark in the context of World War II and art using oil painting as a medium of representing the changing light and video & sound for recreation of historical context.

A peek into everyday life of small towns and their inhabitants.

An attempt to fight the common stigma by working on my own fundamental fear of homelessness. The research includes more than 50 photo portraits of SDF people of my neighbourhood presented along with a short movie showing the artist as a possible victim of late capitalism herself.

Some of my works from the last years. Oil on canvas mounted on board. The focus of the work is mixing and application.

Deсonstruction of the object in favour of abstract composition, colour and tonal relationship within it. 

A documentary photo art book of my father's 35 mm slides and letters from Oxford and Munich to USSR telling the story of his family life in parallel of creation the first plasma reactor prototype ITER project is based on.

Chronicles of the bar scene from a point of view of a horeca worker.